How did you came up with the name Virgin in Veil?
Jacques: I wanted a name no-one used before, which had a certain dose of mystery in it so everyone could make their own interpretation.

Which bands or artist has affected you the most so far?
Jacques: There are the obvious influences, bands like Christian Death, Cinema Strange’s 1st album, Tragic Black, Bauhaus, etc. But we have also been very influenced by other genres and artists, sometimes very unexpected. All of us are listening to a wide selection of music…
William has a lot of influences coming from a more “classic rock” background. Suzi is eclectic as fuck, always listening to different stuff and loving to discover new artists. Myself, I have a very “goth/punk” background but I also love to listen to totally unrelated artists, for example a lot of rap is influencing the way I craft my lyrics and the way I perform as a vocalist. And these days I listen a shitload of 81/83 era Ministry.

What are your song’s about and are there more subjects you would like to write and sing about but didn’t yet? Do you hold back things you would like to scream out or you just go for it?
Jacques: On the first album, the lyrics revolve primarily around sex and debauchery, with a reflection on the fact that people tend to see sexuality much more negatively than they see violence. For example, on Facebook you can’t post a picture depicting a woman’s nipple, but people like Donald Trump or Bart de Wever have their own pages and spread their right-wing shit around without any kind of censorship. So I’m asking you, what’s more offensive? A nipple, or a racist politician? What’s more dangerous? Sex, or war?
I tend to be brutally honest, I’m not the introverted type, so I most generally speak my mind. There are of course many topics I’d like to explore lyrically, and there are already many different subjects covered in our upcoming album.

Can you tell us about the bands you were in before?
Jacques: I’ve been in a myriad of bands when I was a teen. After, there was Sleeping Children from 2003 to 2006. We played a few times in Belgium, maybe you were in the audience? Then there was Secular Plague which was way much more punk-oriented.

Would you like to start another band or project alone? In which genre if so?
Jacques: I don’t. I’m fulfilled with Virgin in Veil, and I also play in Masquerade where I’m as well writing songs, so it’s enough work already. I’d rather concentrate on 2 projects and do things seriously, rather than playing in a lot of bands without having the time and energy to dedicate to them properly.

Are you more inspired during the day or during the night to write lyrics and make music?
Jacques: It depends, but I’d say dusk is my favorite time to make music. I’m kind of crepuscular, like our kitty. This is by far the moment of the day where I’m more alert and artistically inspired.

Are you working on a new album we can expect soon?
Jacques: Absolutely. We just finished the mixing and mastering yesterday actually, and the album is now in the post-production phase by our label Danse Macabre. It will soon be at the pressing plant, so I think you can expect it around October, more or less one year after our debut album “Deviances” came out.
The album is named “Twisted Thrills” and contains ten songs, including “Of Tears and Poisons” for which we released a new music video last month. We’ve been working really hard on this album, in terms of songwriting and production. You’ll find the “classic deathrock” sound we used on “Deviances”, but also a few surprises since this album is way more diverse than the first opus was.

If it was up to you would you like to release music on cd’s, vinyl or cassette and why?
Jacques: Cds and digital are the best. Vinyls looks awesome, but they are expensive to make, expensive to ship and it’s a nightmare to carry them on tour. We favor the CD format because it allows us to sell our albums way cheaper. Being accessible to more or less everyone matters to us more than the curent vinyl trend, to be honest. But if a label wants to press vinyls of our stuff, we’d gladly do it. It’s just not a priority.

People who don’t know Deathrock, Goth or Punk are kind of scared from it, how do you think they come to such a way of thinking?
Jacques: People are always scared of what they don’t know. It’s ignorance, and it’s sadly a part of human nature. But to answer your question, I think people are uncomfortable seeing individuals who are ostensibly different because it acts like a mirror and brutally shows them that they are just sheep following the trends and fitting society’s mold.

Who you would like to direct and shoot the music video’s if you could choose?
Jacques: If I was to work with a famous director, I’d love to pick someone who has nothing to do with the goth scene. Maybe Spike Lee. His work on that old Public Enemy vid was awesome. It would be very interresting to work with someone totally unaware of those music codes and cliches and see where it goes. We love to break codes anyways, so I suppose it would bring a very interesting result.

How was touring so far and what was the most memorable night and why?
Jacques: Touring is always fun and most of the time pretty out of control, although I have to admit we have kinda slowed down on the debauchery lately.
The most memorable night? Well, amongst the recent ones, I’d say our gig at the Wave Gotik Treffen was super intense. The venue was completely packed, the sound was loud and the atmosphere was hot. We had no merch table, we just sold our fucking Cds by going in the crowd after the show. We chatted with people, had pictures taken with them… It was cool and I think they were happy to actually get to meet the band instead of buying merch from a goddamn table.

In which country would you like to play when you are on tour again and do you rather like to play for a small audience or big audience and festivals or in a club?
Jacques: I’d love to play where most bands don’t go. There are goth/deathrock scenes in China, Taiwan, Angola, Kenya, and so on. I’d love to visit those countries, whatever if we only play a in a small club or squat. That’d be a very interesting experience.
I generally prefer small, packed, ultra-hot clubs. I love to have the audience super close to us when we play… You know, Virgin in Veil on stage is all about energy and intensity, so I think it fits more a dark cave or a squat than a shitty hipster venue where people can’t smoke inside.

What are you personal thought on our subculture these day’s? What would you like to see diffrently or do you prefer that it stay like it is?
Jacques: As I just said, I’m glad to see that goth and deathrock scenes are emerging in many new countries, that goth/deathrock is becoming more widely available and accessible.

Do you see dancing shadows at night that whisper melodies in your ear?
Jacques: Only when I’m drunk.

By Sophi Katz
Original interview